After chirping about it for months, I finally went into San Francisco to pester the theatres about employment on Wednesday, and you know what? It went well! I'm not newly and gainfully employed or anything, but I felt comfortable and well-received just about everywhere I went.
Orpheum Theatre: Alex and I stopped there first and just stayed long enough for me to grab a job application (which was actually for almost ten minutes because we ended up in line at the box office behind a couple of people that I can only assume have never purchased theatre tickets before in their lives) because my overwhelming memories of The Phantom of the Opera depressed me. I'm not joking, either, sick as I know that is. I was surprised by my own reaction to being there. My insides felt heavy while we walked by the stagedoor. I miss my show and my cast, waaaaaaah.
Davies Symphony Hall: Second stop. I hesitated outside because the Symphony is a rather imposing building, but some guy saw us standing outside and ushered us in so I could speak with the manager of the Symphony Store. He was very friendly and told me that the ushers and the store salespeople at the Symphony are almost all volunteers, and how the whole volunteer thing usually works and where to look for information. He then directed me down around the building to the office of the Director of Special Events and Volunteer Services. There was a security guy sitting at the entrance who made me sign in while he went and grabbed someone for me to speak with. The man I spoke to - who introduced himself and who I think was the director, but unfortunately I was too busy preparing to introduce myself in turn and so I'm not 100% sure on that - was also very genuinely friendly. He said he was thrilled that I was interested in getting involved and gave me a card, pointing out the Symphony's web address and telling me where on the website to find more information. The truth is that I've been to the site several times already and was hoping that showing up in person might make me look like a better candidate and get me more information, but whatever. I still think it was a good idea to do this. I feel like I made a good, if minor, impression; I got to meet some of the people in charge and they were both nice; and, if nothing else, I got to go down into some of the offices of the Symphony. I've never gone into the offices of any kind of professional theatre before, so that made me happy.
War Memorial Opera House: Our third and most unsuccessful stop. The man at the box office was very friendly, but really told me nothing more than to go to the website. Gee, thanks. Wouldn't you think a 21-year-old interested in volunteering at an opera house would be received a tiny bit more enthusiastically? I mean, it's not like I expected them to jump up and offer me the role of Marguerite in Faust or anything - although they are doing Faust next year, and I'm already half-convinced that it would make me a bad phan to miss it - but somehow I thought maybe I'd get a teeny bit more than "go to the website". I dunno. Whatever, at least I still got to tap through the pretty marble foyer.
Herbst Theatre: This little (in comparison to the others) theatre was our next stop. I only know of its existance because I saw Lisa Vroman sing Kurt Weill's The Seven Deadly Sins there with Raphael a few years ago. It's located next to the opera within a building that houses other businesses as well. We wandered in and found...no one. A few people who didn't look theatre-related walked through and glanced at us a few times, but no one said a word to us. We took advantage of having the entire foyer to ourselves to have a mini-photoshoot, because that's just what we do in that sort of situation. Then we walked into an adjoining room that was housing a vintage weaponry museum. The only attendant was a tiny, white haired, extremely old woman with a walker, a European accent that I couldn't place, and a sandwich that she ate noisily while Alex and I puttered around. She kept trying to tell us stuff about the weapons but we could barely understand her. She assumed we were tourists and offered us a guide to San Francisco, and it took her almost a full minute to scoot her walker around her little desk and grab it for us. I suspect our appearance in the exhibit was the most excitement she had all day. I take back what I said about the opera house: this was our least successful stop when it comes to my future employment, but at least we got a kind of interesting story to tell out of it.
American Conservatory Theatre: We happened to drop by just as a matinee was letting out, so we walked in and ended up speaking with the front of house director. She was by the far the friendliest and most helpful person I spoke to all day. We stood in the lobby and chatted with her for a good twenty minutes or so; she gave me information about ushering or working on the production crew and Alex information about auditioning. She also showed us ACT's Jujamcyn Theaters Award and Regional Theatre Tony Award! We drooled like idiots and I took pictures, and she told us that she fully understood: "I've been where you guys are." I really loved chatting with her, and she seemed to like us too. She gave me her card and said to email her so she could send me a job application. Hurrah, something vaguely resembling success!
Golden Gate Theatre: The last stop of the day. (We walked by the Curran Theatre and found that it was dark, so we just stayed long enough for me to wax poetic about seeing POTO there for the first time when I was ten.) The guy at the box office gave me a job application that was identical to the one I got at the Orpheum. It even says "Orpheum Theatre" at the top. I know the theatres are all owned by SHN, but I thought maybe they'd have at least slightly different job applications. Now I'm not sure if I should turn one in at each theatre or not. Will that make me look dedicated or stupid? Anyway, at least I got one at both. I'd gotten so used to hearing about volunteer positions earlier in the day that I requested information about volunteering rather than employment when I first got there. The guy in the box office window gave me a kind of blank look and then offered me a job application, saying, "Just so you know, we don't really have many volunteer positions since we're for profit." I said, "Oh good, I'd really prefer a job anyway," and he kinda laughed with me. Alex and I glanced around the side of the theatre just long enough to ensure that John O'Hurley wasn't randomly standing around outside the stagedoor waiting for me to get a picture with him and then high-tailed it back to BART so that Alex could make it back to his 7:30pm rehearsal back in the East Bay.
I did a whole 'A Day in My Life' thing all day, taking 700+ unnecessary pictures that will theoretically become a vaguely interesting LJ post in the near future. Assuming I can ever be bothered to do it.
All in all, a very good day. We also did un-theatre-related stuff - *gasp* - like grabbing free samples at a farmer's market on Market Street and repeatedly zooming up and down in the elevators at the Westin St. Francis hotel on Union Square. Because we're mature like that.
Mood: 
Accomplished
Music: "Sunrise, Sunset" - Fiddler on the Roof (soundtrack)